Cinematic & commercial production studio

A film worthy of your brand — from first brief to final cut

Filmorax turns a brief into a finished, screen-ready film: shot to cinematic standards and delivered in every platform's sizes — without you managing vendors or shoot days.

  • Since 2020 a working production team
  • Based in Agouza, Giza
  • Shooting in Egypt, Saudi Arabia & the Gulf

Call sheet — a shoot day with us

How a day is organised
Crew call06:00 — location and lighting setup
First shotAfter lighting, sound and rehearsal
Scene orderBy location and daylight
Running the dayAn AD protecting the schedule
WrapDouble backup of all footage before anyone leaves
  • Fixed deliverables: a full-quality master
  • Versions in every agreed platform size
  • Usage rights written before filming
6production formats
4stages, brief to delivery
12hours in a structured shoot day

01 · Production formats

Six formats — each with its own path and deliverables

Pick the format that serves your objective. Every format runs a clear production path with a deliverables list fixed before we start, not after we finish.

▶

Commercials

A 15–60 second commercial for TV and digital platforms, built around a single message and shot to work in every size.

  • Treatment and script approved by you first
  • Casting, direction and cinematic photography
  • Master + cut-downs for every platform
▣

Corporate & brand films

A short film that tells the company's or the brand's story visually — for launches, company pages and official occasions.

  • Story built around the brand's identity
  • Organised interviews and corporate filming
  • Screening version + short social cuts
◉

Product videos

The product is the hero of the frame: its details, how it is used and the result, under lighting designed for the product itself.

  • Detailed product photography and lighting
  • Real usage footage in context
  • Short versions for stores and ads
✦

Event coverage

Openings, launches and conferences: multi-camera coverage and a highlight film that compresses the whole event into minutes.

  • Camera teams sized to the event
  • Fast cuts for publishing during the event
  • A complete aftermovie
◆

Cinematic social content

Reels and short videos with film craft: the same lighting and grading, at the rhythm and sizes of social platforms.

  • Scheduled content batches for campaigns
  • Reels, TikTok and Stories sizes
  • One consistent grade in the brand's identity
✂

Post-production

Full post for footage we shot or material you already have — editing, grading and sound are what make the final film.

  • Editing, grading and colour correction
  • Sound design, mixing and licensed music
  • Motion graphics, subtitling and localisation

02 · How we work

Four fixed stages between the brief and the screen

Every project passes through the same four stages in the same order — and each stage needs your approval before we move to the next.

  1. 01

    Brief & treatment

    We turn your objective into a production document: one message, defined placements, and a visual treatment and script you approve before anything else.

  2. 02

    Pre-production

    Casting, locations, crew, equipment and the shoot-day schedule — everything locked on paper before the camera moves.

  3. 03

    The shoot day

    Direction, photography, lighting and sound run under management that protects the schedule, with updates to you throughout the day.

  4. 04

    Post & delivery

    Editing, grading, sound and review rounds with you, then organised delivery: master, platform versions and licence files.

03 · Production guides

Understand production before you buy it

Five focused guides from real shoot days — the first three are complete here, and the fourth and fifth are full guides in Turkish on their own pages.

The brief

The production brief: the document everything is built on

A shoot day is priced, cast and scheduled from the brief. Every missing answer in it becomes an expensive decision taken on the day itself.

  • One objective and one message the crew can test every scene against
  • Final placements decided first — they set the formats and durations
  • A written deliverables list: durations, versions and languages, not assumptions
  • A declared approval chain: who signs off treatment, casting and final cut

Run it with a ready team? Book a free consultation

The shoot day

One full shoot day: a temporary factory running 12 hours

Before the first shot there is setup, lighting and rehearsal; after the last shot there is no film — only raw material the film is built from in post.

  • The schedule is ordered by location and daylight, not script order
  • A full crew: direction, camera, lighting, sound, art and cast
  • The call sheet is the law of the day — overtime is a decision, not a drift
  • Footage is backed up twice before anyone leaves the location

Have a shoot day coming? Book a free consultation

Rights

Usage rights: the film is one thing, the faces in it are another

Paying for production does not mean owning every use of the film forever. Talent and music rights are licensed by media, territory and duration.

  • Separate the production deliverable from talent image and voice rights
  • The agreement defines: media, territory, duration and category exclusivity
  • Library music and stock carry their own licence terms
  • Usage is written before casting — renegotiating after success costs more

Want the agreement written properly? Book a free consultation

Türkiye

Video production for the Arab market: a guide for Turkish brands

A Turkish brand entering the Arab market with video? The full guide — in Turkish — covers the Gulf dialect, cultural context and remote production from Cairo, from brief to delivery. Read the guide in Turkish →

  • The Gulf dialect is the language of recommendation in the Arab market
  • Filming in Egypt and Saudi Arabia with creators from the market itself
  • Usage rights written before filming

Have a Turkish brand? Book a free consultation

Türkiye · UGC

UGC and influencer content with Arab creators: a second guide for Turkish brands

The film introduces the brand; the creator's voice carries the recommendation. The second Turkish guide covers creator selection by category and dialect, briefing in Turkish, and whitelisting rights. Read the guide in Turkish →

  • Creator selection by category and dialect before follower counts
  • A Turkish brief turned into an Arabic production document, with your approval
  • Measurement per creator with dedicated links and codes

Have a Turkish brand? Book a free consultation

Real work

From the media-production library

Real productions from influUGC's own library — published on the company's channels and platforms, and shown here as they are: no filters, no generated footage.

MUHRA — media production work
MUHRA 2 — media production work
Calve — media production work
Calve 57 — media production work

04 · FAQ

Before you book a first production project

Straight answers to the questions that come up before a first engagement — no generalities.

What is the difference between a commercial and a brand film?

A commercial sells one message in a short runtime and is measured by direct response; a brand film builds an image and a story around the company and is measured by long-term impression. Your objective decides the format — and if the objective is unclear, we start with a consultation to settle the right format before any quoting.

Do I need to arrive with a finished script?

No. You can start from a simple brief — objective, audience and product — and we build the treatment and script on it. If you already have an approved script or concept, we start straight at pre-production: casting, locations and the shoot schedule.

Is one shoot day enough for my project?

It depends on the number of scenes, locations and products. We work it out with you in pre-production with a clear shot list, and we will tell you honestly if the content needs two days instead of squeezing it into one and delivering it short.

Do you deliver versions for every platform?

Yes. Delivery is a main master plus versions in every agreed size and duration: TV, YouTube, Reels, TikTok and Stories — all written into the deliverables list before the shoot, not decided after it.

How are video and talent usage rights handled?

They are written into the production agreement before filming: the media, the territory, the duration and category exclusivity. That way the campaign can run for its full planned term without a surprise renewal or a renegotiation after success.

How is pricing decided?

There are no published prices because every production is different. After the free consultation or your brief, you receive a detailed written quote: shoot days, post days and deliverables — with no hidden line items.

Have a launch, a product or an event coming? Let's film it properly.

Book a free consultation: we hear the objective, the product and the market, and come back with a written treatment and a detailed production quote before any commitment.

Based at Arab League St, Agouza, Giza 12651, Egypt · Shooting across Egypt, Saudi Arabia and the Gulf

Book a consultationWhatsApp